Se domaj ni Tupac, ni Bily, ni Wilme pa vivan...Vwala se moun ki te konn itilize yo pou fè kanpay politik yo - k ap itilize imaj ak son defen yo pou touye yon lot fwa ankò rèv jenn gason sa yo te fè pou sitiyasyon site a amelyore. Ti boujwa ka chita ap radote jan yo vle. Men, se paske reyaksyonè klas mwayèn ak ti boujwa pa janm pran konsyans wòl yo ta dwe jwe nan sosyete a, ki pèmèt blan rasis kapab pase pa yo, pou kòwompi jenn tankou Tupac ak Bily. Jenn gason sa yo konnen reyalite lavi nan site a pi byen pase ti boujwa yo. Men, si ti boujwa yo te gen yon minimòm konsyans, entilijans ak kouraj - se yo ki ta gen aksè a enfòmasyon pou ede Bily ak Tupac konprann ki jan teknik destabilizasyon blan an itilize nan lòt peyi - se limenm l ap aplike la a ann Ayiti. Konsa, anpil vi ta sove.
Ou pale osijè vòlè nan gouvènman Lavalas la ki t ap plen pòch yo. Se vre! Ojis, vòlè sa yo se menm manm klas mwayèn ak ti boujwa ak GNBis yo. Se mank konstans epi mank konsyans sa a ki travèse tout alejyans politik nan peyi a ki lakòz nou vilnerab konsa.
Men yon lòsyè nan sa mwen te reponn kèk pwopagandis GNBis sou kesyon sa a:
"How come the filmmakers had so much access in a place supposedly so dangerous - yet none of them got hurt?
Apparently, the so-called relief worker was supposed to be working on an AIDS prevention program, yet she was sleeping with the two brothers, the cameraman and who knows who else…Meanwhile at the end of the “film” Bily’s wife is left destitute and carrying HIV? What relief indeed!
After providing all this access to their lives, these young people end up dead…
Young men like 2Pac and Bily are dying in similar conditions in Cote d’Ivoire and other African countries… where politicians of all nationalities are exploiting their conditions. A poster mentioned the fact that this is a one-sided hit piece. That is because the role the U.S. embassy and other white supremacist forces that participated in the 2004 coup d’Etat which fueled these conflicts is never addressed by the so-called filmmakers. Who is hiding from the truth here?
If, based on his convictions, Bily was supporting the constitutional government of Haiti and its demonized president,Jean-Bertrand Aristide, who was 2Pac working for? Who organized this neat infiltration into their lives - with camera and all?
What is the other side of the story? Beyond the easy stereotypes on which the film seems to prey, who were the actors fueling all this recorded black-on-black violence?
Now that President Aristide has been confined to Africa by the CIA and its agents, who and what is fueling ongoing gang violence in Haiti?
Do these American filmmakers have the courage to investigate that also? Why not?
What is the nature of Eleonore Senlis’ real work? What is her relationship with the cameraman? What is their connection to Kosovo?
What has the financial “success” of this film meant for the black wife and kids Bily left behind? These impoverished people whose most intimate moments were used in the film…what are they to gain from this production?
These may not be questions you are interested to entertain but some of us find them pertinent and no amount of intimidation will stop people from raising them".
http://www.whudat.com/newsblurbs/more/ghosts_of_cite_soleil_this_aint_no_hollywood_movie_1680501073/